Henderson Pavilion to Host the 2015 Las Vegas Jazz Festival

Henderson Pavilion to Host the 2015 Las Vegas Jazz Festival

The Las Vegas Jazz Festival returns on Friday, September 25, taking place at a new venue just outside of Sin City. The festival made its debut in the JW Marriott Resort & Spa over two years ago, and with tickets selling out for the last two events, Henderson Pavilion will be the new venue that will accommodate the growing number of attendees. It’s the largest outdoor amphitheater and the most sought-after live music venue in the state.

Many music fans are unaware of this fledgling festival, mostly because the jazz scene is still relatively young in this gambling-centric city, with the majority of visitors to Nevada making the trip to sample some many of the gaming establishments Sin City has to offer. Despite Las Vegas being far for most people, Intercasino explain on their blog that many are still willing to travel across the globe to experience the fun, thrills, and excitement you get from gambling. But when people travel to Vegas these days, they’re looking for more variety in entertainment beyond the casinos. Unlike before, music is now a huge part of the city’s tourism industry, drawing visitors from all over the world with the concerts and variety of music festivals hosted throughout the year. Las Vegas has since grown from the Wayne Newton lounge tunes and has welcomed a number of musical communities, more recently the jazz community.

Several jazz artists will be returning this year, including Will Downing and Anthony Hamilton, who is a regular at the New Orleans Jazz Fest. The Isley Brothers and Toni Braxton are among the new faces of the festival that will surely draw in a bigger crowd than previous years. Although the event this year isn’t located in the Valley, Henderson attracts lots of Vegas visitors because of its pavilion, the

Check out the complete lineup for the 2015 fall festival:

Friday, September 25
Erykah Badu
Marsha Ambrosius
Daley

Saturday, September 26:
Toni Braxton
Will Downing
Kelly Price
Elan Trotman & Tim Bowman
Phil Flowers
Shy Girls

Sunday, September 27:
Anthony Hamilton
The Isley Brothers
Mint Condition
Stephanie Mills
Marion Meadows & Paul Taylor
Eric Roberson

Visit the main website for more details on the festival.

ENVISION ENSEMBLE Encore Performance!

ENVISION ENSEMBLE Encore Performance!

Henry Kuntz – Dan Plonsey – Brian Godchaux – Esten Lindgren – John Kuntz

Friday October 10 8:25 PM

Berkeley Arts Festival – 2133 University Ave – Berkeley Ca

PLUS: @ 8:00: METROPOLITAN BUTOH

@ 9:10: British-NY-based Avant-Vocalist Viv Corringham 2014 NorCal Tour

The Concept:

The Envision Ensemble moves toward an advanced improvisational archetype, one in which multiple independent events may occur while the musicians simultaneously create an experiential musical whole. Beyond expanding the independence of musical line – thus increasing the complexity of musical form – the Envision Ensemble expands the formal independence of each player – so that multiple musical forms might be happening at once, moving the music in the direction of what I call “festival form.” So the players will be creating the total musical space rather than any specific improvised composition.

How will this work?

Each player will simultaneously create an organic complete music. Each player may relate or not relate to the music and sounds going on around them, the same as when one is playing at home and sounds are occurring in the environment which may or may not affect one’s music. While the players will not necessarily relate to each other in a compositional sense, they will relate to each other and to their shared environment experientially and together create (or “compose,” if you will) a sympathetically-in-tune experiential musical space – a space defined by the composite layers of sound that make it up, similar to the way the simultaneous layers of sound at a festival define and create the festival.

As Archetype:

The Fullness of Individual Being in
Collaborative and Existential Flow
With the Fullness of All Life.”

The performance will be completely improvised. At my suggestion, the Ensemble has not rehearsed prior to playing. The reason for this is that experience suggests that players’ edge of creativity often comes out more in the initial meeting (i.e. in the rehearsal) than in the performance. So, along with the musicians, you will be experiencing this music for the very first time.

Henry Kuntz, for the Envision Ensemble

ENVISION ENSEMBLE | Premiere Performance

ENVISION ENSEMBLE  w/ Henry Kuntz, Dan Plonsey, Brian Godchaux, John Kuntz, Esten Lindgren at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE

Henry Kuntz – Dan Plonsey – Brian Godchaux – Esten Lindgren – John Kuntz

Premiere Performance

Notes – Photos – Videos


The Envision Ensemble moves toward an
advanced improvisational archetype,
one in which multiple independent events may occur
while the musicians simultaneously create an experiential musical whole.

Beyond expanding the independence of musical line –
thus increasing the complexity of musical form –
the Envision Ensemble expands the formal independence of each player –
so that multiple musical forms might be happening at once,
moving the music in the direction of what I call “festival form.”

So the players will be creating the total musical space
rather than any specific improvised composition.

ENVISION ENSEMBLE  w/ Henry Kuntz, Dan Plonsey, Brian Godchaux, John Kuntz, Esten Lindgren at Berkeley Arts Festival  August 27, 2014

How will this work?

Each player will simultaneously create an organic complete music.

Each player may relate or not relate
to the music and sounds going on around them,
the same as when one is playing at home
and sounds are occurring in the environment
which may or may not affect one’s music.

While the players will not necessarily
relate to each other in a compositional sense,
they will relate to each other
and to their shared environment experientially
and together create (or “compose,” if you will)
a sympathetically-in-tune experiential musical space –
a space defined by the composite layers of sound that make it up,
similar to the way the simultaneous layers of sound at a festival
define and create the festival.

ENVISION ENSEMBLE  w/ Henry Kuntz, Dan Plonsey, Brian Godchaux, John Kuntz, Esten Lindgren at Berkeley Arts Festival  August 27, 2014

As Archetype:
The Fullness of Individual Being in
Collaborative and Existential Flow
With the Fullness of All Life.”

The performance will be completely improvised.
At my suggestion, the Ensemble has not rehearsed prior to playing.
The reason for this is that experience suggests
that players’ edge of creativity often comes out more
in the initial meeting (i.e. in the rehearsal)
than in the performance.

So, along with the musicians,
you will be experiencing this music
for the very first time.

Henry Kuntz, August 2014, for the Envision Ensemble

ENVISION ENSEMBLE  w/ Esten Lindgren, John Kuntz, Henry Kuntz at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Dan Plonsey, Brian Godchaux, Esten Lindgren at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Esten Lindgren at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Esten Lindgren at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Brian Godchaux at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Dan Plonsey at Berkeley Arts Festival  August 27, 2014 ENVISION ENSEMBLE  w/ Dan Plonsey at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ John Kuntz at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ John Kuntz, Henry Kuntz at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/ Henry Kuntz at Berkeley Arts Festival  August 27, 2014

ENVISION ENSEMBLE  w/  Esten Lindgren, John Kuntz, Henry Kuntz at Berkeley Arts Festival  August 27, 2014

Original Performance Photos and Videos by Eleanor Lindgren

Placeless Timeless

Upcoming Performance | May 23, 2012 | Subterranean Arthouse, 2179 Bancroft Way, Berkeley CA | 9:00 PM …just after sunset

Henry presents

“Placeless Timeless”, a mixed media show utilizing a hundred slide images taken over 30 years from places around the world that suggest a mythical and archetypical life-cycle construct that has at its center humans’ timeless quest to interact, relate with, and comprehend our place in the universe. Henry provides an improvised instrumental counterpoint using small percussion, Mexican Indian violin, flute, Moroccan rhaita, tenor saxophone & voice.

Also Appearing: Matt Ingalls: extended clarinet with Ken Ueno: extended voice.


click the banner above to visit the Subterranean Arthouse web page…


Photo by Matt Ingalls